41.   Once upon a time, major artists and major orchestras could join a major label and have their say on the tried-and-true repertory.

42.   Only a major orchestra post can give him these opportunities.

43.   Only major orchestras can do that.

44.   Philadelphia Orchestra engagements became frequent affairs, and the other major American orchestras snapped up Pressler as well.

45.   Players in major orchestras are paid year-round and need something to do.

46.   Previn took the work on guest-conducting appearances over the next two years with the major orchestras in Pittsburgh, Cleveland and Boston.

47.   Prospects for major orchestras and the classical music world itself are far from encouraging.

48.   People in the musical world said musicians of major orchestras have almost never risen up publicly against a world-renowned conductor over his management style.

49.   Rudolf was a major influence in the successful Exxon Affiliate Artists programs establishing apprenticeships for young conductors at major orchestras.

50.   So, naturally, he must be in the sightlines of the several major American orchestras that are looking for new music directors, right?