111.   His left ankle is giving him enough problems that playing is not an option.

112.   His playing is more inspired, and his voice has the grainy, worldly wise echo of the elders he loves.

113.   Her playing is perfect, her singing otherworldly as she wrestles with ghosts, shadows and legends.

114.   His playing is beautifully voiced and highly sensitive.

115.   His playing of Grieg is unburdened.

116.   However, Berg, who said it was strange playing against Norstrom, was careful in choosing his words when he spoke to him after the game.

117.   His playing is at once distinguished and distinctive, but he never forces attention away from the singer.

118.   His playing is dazzlingly fast but always precise and never showy.

119.   His playing is fanciful and the skittish lines finally evoke the diverting quality of the title.

120.   His playing is not always clean.