91.   That face was not the blank face that Cardiff had expected.

92.   That was who it must have been, for their faces were messily multicoloured.

93.   The face he saw was tired and haggard.

94.   The face is that of a Renaissance choirboy, or cupid, caught up in some act of Southern atavism.

95.   The face was in inverse relief, with the features concave rather than convex, as for a mold.

96.   The face was smooth, the yellow skin as translucent as waxed paper, the veins clearly visible.

97.   The man leant down so that his face was close to the window.