81.   The play has other Valley ties.

82.   The play has plenty of physical humor and elements of farce.

83.   The plays themselves have nothing in common except their display of talent and the heritage of a discipline whose pleasures can only be simulated by films and television.

84.   The play does have moments of questionable comfort for viewers who might feel uneasy in this setting.

85.   The play had a five-week London run before transferring to Broadway, where it is currently ensconced.

86.   The play had a strange fate in Hollywood.

87.   The play had the honor of being banned in Boston, Chicago and Hoboken, N.J.

88.   The play has enough of such elegantly minimal phrases to suggest why Cruz is considered a young playwright to watch.

89.   The play has good buzz but bad karma.

90.   The play has its share of big scenes that seem more obligatory than dramatically affecting.