81.   The film shows their lovemaking in clinical and perfunctory detail, without any component of joy.

82.   The film shows us how Mizrahi became a designer because, quite simply, he could be nothing else.

83.   The film also shows Parks as a feeling human being, not the saintly icon we see spilled across countless history books.

84.   The film even shows us the viewers of the Truman drama, people who are our counterparts, who watch television day and night.

85.   The film is now showing at art houses.

86.   The film showed a Minnesota Vikings player who had intercepted a pass and was returning it for a touchdown.

87.   The film showed the members of that company quartered in their house the entire first evening, apparently under departmental orders.

88.   The film shows a newer, slightly mellower Bond, the actor says.

89.   The film shows a noirish Los Angeles, basting in sleaze.

90.   The film shows Badu and a handful of women outfitted in rainbow-colored clothes and matching purses.