81.   Disability arts belong to Disabled people allowing the creation of art to be paramount, without the more usual digression into issues of inaccessibility.

82.   Disability arts is a circuitous route to the inclusion of Disabled people in mainstream arts and wider society.

83.   This is true for disabled people as well as non-Disabled people.

84.   The therapeutic approach has tended to cast Disabled people in very passive roles, initiated and controlled by non-Disabled professionals.

85.   Whilst making choices sounds simple, constant discrimination or extreme segregation have removed from many Disabled people the skills needed to make even basic decisions.

86.   Disabled people meet substantial resistance to many choices, and so a range of communication, assertiveness and negotiation skills is needed.

87.   Many Disabled people are wary of being with other Disabled people because this is associated with disempowering situations of segregation and isolation.

88.   Interwoven with all of this is the need for Disabled people to create a new relationship of equality with non-Disabled people.

89.   Whilst Disabled people need to learn the opposite of traditional roles, non-Disabled people need to adopt altogether new roles, away from direction and towards facilitation.

90.   Relative to disabled people, it is non-Disabled people who hold the social and economic resources, and ways need to be found to facilitate equitable access to them.