81.   He also transformed the teaching of art history at Dartmouth by introducing the study of contemporary art, photography and applied arts.

82.   He also published reviews and articles, in Artforum, The New Art Examiner and Art Criticism, and taught art history at the School of Visual Arts.

83.   He became interested in art history.

84.   Graves contributed his interest in Eastern art and religions and Anderson his knowledge of Western art history.

85.   He did not have, and never sought, any formal training in art history.

86.   He further notes that the courtesan has been a familiar figure throughout art history.

87.   He had studied art history and worked as an intern in museums.

88.   He continued to work in several genres, producing self-portraits and group portraits with mocking references to myth, art history and contemporary politics.

89.   He entered New York University as an art history major, then, after graduating, took a wanderjahr to explore the great museums of Europe.

90.   He has no background in art history and has never held a full-time museum job.