71.   The reader has no way of knowing.

72.   The reader may have a little more trouble with the plot Grisham has constructed around his memories.

73.   The reader has to wonder sometimes how Natalie knows so much.

74.   The training ensures that each reader has the same standards, Garza said.

75.   But Ellison was a daunting intellect who, in his first novel and later essays, seemed to want readers to have to work for his message.

76.   This assumes, of course, that readers have Internet access.

77.   This is a topic with which contemporary readers have some sad familiarity.

78.   To enjoy fiction, readers often have to suspend disbelief, but Harris pushes that rule too far.

79.   Three readers have fuel-related questions, two about fuel quality and one about gas stations.

80.   Too bad the reader has to negotiate such vast, sometimes overwhelmingly dense psychological terrain to get to those warm and verdant spots.