71.   Just like Rocky Balboa, another former unknown, ultimately emerged as an American movie icon.

72.   Latin American directors arrive in Hollywood with films from home, but they stay to make American movies.

73.   Lesmana is unabashed in her admiration for American movies.

74.   Maggie and Zoe discuss the relative stupidity of American movies.

75.   Most critics seemed to struggle to find negative things to say about the American movies.

76.   Murnau has always compelled interest because he represents a kind of High Art that was never exactly common in American movies, and is now extinct.

77.   Not so long ago William Hurt was poised to become the Next Big Thing in American movies.

78.   Now he has expanded that awareness beyond the American movie palace to the stage of international design.

79.   Occasionally, the Chinese seem to find unintended meanings in American movies.

80.   OK, so if Chan has this view of American movies, why is it so important for him to conquer the market?