61.   As Florencia, Sheri Greenawald sang with great dignity, though her voice was sometimes hard-edged.

62.   As a child, he sang with an Anglican school choir.

63.   As a child, she was a tomboy, more interested in being a jockey than singing with her famous brothers, the Jackson Five.

64.   As St. Ignatius, Sanford Sylvan sings with such lovely diction that the loss is almost rectified.

65.   As Mimi, Pamela Armstrong sang with plaintive tone and unmannered phrasing, though her lyric soprano voice was not consistently secure.

66.   As Narraboth, American tenor Thomas Studebaker cut a tragic figure and sang with unforced strength.

67.   As the Chevalier des Grieux, the American tenor Patrick Denniston sings with commendable freedom, but his sound is uncultivated, and he cuts an awkward figure onstage.

68.   As the child of musical, working-class parents, she sang with her cousins at family pub lunches and entertained neighbors at church socials.

69.   As the young lovers, Justin Lavender and Anne-Marie Owens sing with all the sweetness one could want, and then some.

70.   As Vera, Siff has actually had legitimate gigs, singing with Opera Francais in New York.