61.   The scene has the potential to seem unpleasantly exploitative, but Ms. Curtis is much too deft a comedian to let that happen.

62.   The scene with Vann slapping the Vietnamese officer is retained, but the schoolteacher scene no longer has Vann reacting callously.

63.   The scene has a look of frozen hopelessness.

64.   The scene has the eerie familiarity of a nightmare, but for one jarring detail.

65.   The scene had an eerie quality to it.

66.   The scene has an eerie luminosity in the silence of the snow.

67.   The underwater scenes have a murky, otherworldly feel.

68.   These early scenes have a drab documentary style.

69.   These scenes have all the spark and spontaneity of a contortionist act.

70.   These father-daughter scenes have an electricity that shows the possibilities when adult and child characters are actually allowed to communicate with each other on screen.