61.   Sluggishly directed by Marco Brambilla, the movie goes flat within minutes of the car theft.

62.   Some might say the movie goes a bit too gentle.

63.   Studios do a fairly thorough job of captioning new films, but older movies often go uncaptioned until new editions come along.

64.   Studios value accurate predictions of how a movie is going to do on its opening weekend.

65.   The budgets and talent pool are enticing, but the time it takes for a movie to go from screenplay to theater opening gnaws at him.

66.   The characters gab too much, the metaphors are dense, and the movie goes on too long.

67.   The first hour could stand to be edited down, but as summer movies go, this is an entertaining joy ride.

68.   The movie goes beyond antisentimentality, really.

69.   The movie goes back and forth in time and in points of view, sometimes showing things as Hilary sees them, sometimes as Jackie might.

70.   The movie goes on to follow the creation of an elementary school in which Roman Catholic and Protestant children are educated side by side.