61.   The lighting was by Gene Dent.

62.   The lighting was by James Sale.

63.   The lighting was by Jennifer Tipton.

64.   The lighting was by Robert Weber Federico, who also provided amusing commentary.

65.   The lighting was gentle, the set was cozy and the newest weekend anchor for CBS was smiling nonstop.

66.   The lighting was softly flattering and the full-length mirrors conveyed an almost imperceptible lengthening effect.

67.   The lighting was too dim for the audience to read the Italian translation that was distributed.

68.   The lighting is brighter, the gospel music on the soundtrack has given way to more modern music, and stories are being punched up.

69.   The lighting is dim, the black-painted overhead air ducts are exposed, and the reception area is enclosed in high-tech metal mesh.

70.   The lighting is good.