51.   The tunes are usually triumphant, blaring pure-pop major chords.

52.   The tune was different Thursday.

53.   The vintage saxophone- and violin-driven tunes are light, spry and awash with a doddering innocence that is now rare.

54.   Their cheery pop tunes were lightweight, their resurrections of music-all ditties were corny.

55.   The tune certainly was different when Long-Term Capital Management was on the verge of collapse and the Federal Reserve instigated a private-sector bailout.

56.   The tune is a moderate hit.

57.   The tune was fairly catchy.

58.   The tunes are exhilarating, footloose and impossible to predict.

59.   The tunes are very nice, but harmonically they do not quite scan.

60.   Their voices were worn, but the tunes were durable, and the light, limber backup group sent a good part of the audience into shimmying motion.