51.   The entire piece had little connection with my previous experiences of it, nearly all of which had come through recordings.

52.   The old veena pieces had an air of restraint and tenderness, moving at medium tempos with only brief flurries of fast notes at the end.

53.   The pieces would then have to cross a delicate coastal ecosystem, over land controlled by two state agencies and the federal Bureau of Land Management.

54.   The performance pieces have an equal balance of violin and piano.

55.   The piece has moments of haunting eloquence.

56.   The piece had neither the deliberate artifice of theater nor the burnished authenticity of film.

57.   The piece has built-in chairs, so it is possible to sit within the waterfall.

58.   The piece has sentimental value because Cameron, now a third-grader at the Westminister Schools, took his first tentative steps around it.

59.   The piece had to be set in cement.

60.   The pieces have a prickly, tentative beauty.