51.   Our audience wants analysis.

52.   Other than that, audiences want their musical theater full of spectacle and multimillion-dollar sets.

53.   Right now, this is what the television audience wants to see.

54.   Second, it has to be something that our audience wants to watch.

55.   Some people simply have voices an audience wants to hear.

56.   Still, Williams knows the audiences want the old hits.

57.   The audience wants a roller-coaster ride.

58.   The audience wanted more music, so now we revert to dialogue only when we need a drastic change of gear and only the spoken word will do.

59.   The big gap between what the industry thought was grade-A material and what the audience wanted to spend its night watching was starting to close.

60.   The audiences want more and more excitement and realism in movies.