31.   This eight-minute work explodes with Ornette Colemanesque riffs and wails, yet the piece seems almost architectonic in its layout.

32.   When all the pieces seem to be in place.

33.   After all, just a quarter piece seems too miniscule a portion to bother getting down to the intricacies of fingerwork.

34.   At times, the piece seemed to come to a halt.

35.   The pieces however seem to be falling in place.