21.   The art-deco set design evokes the second quarter of this century sharply without upstaging the action.

22.   The lighting by Jennifer Tipton and the set design by John Conklin, especially in the creation of the odious machine itself, add to the effect.

23.   The overambitious set design is a winning joke.

24.   The set design featured trees that kept rising and falling through a trap door.

25.   The sequence shows the image of the city becoming more and more negative with each succeeding version of the set design.

26.   The set design and costuming are sumptuous.

27.   The set design and costuming were more suited to the production of yawns than drama.

28.   The score is by Tim Finn, with set design by Brian Thomson, lighting by Trudy Dalgleish and costumes by Michael Wilkinson.

29.   The transporter was created to save money on set designs.

30.   The set design includes obelisks that rise from the floor of the stage and descend from the fly space above.