111.   At Sepia, which displays pictures Izu took in India, there is an image of a familiar Tibetan monastery sitting on a mountaintop in Ladakh.

112.   At a point in his career where image is irrelevant, he devours this thoroughly hateful role, yet makes him curiously believable.

113.   At slower speeds, the images are hazy and movements are quite jerky.

114.   At the same time he was gaining a reputation for being moody and abrasive, but he insists that this image was always deceptive.

115.   At the time, his image was that of something of a conservative political bomb thrower.

116.   Author Aburish suggests that the toned-down image is a vintage Hussein deception.

117.   Because he does not draw back his personal curtain often, our images of Bonds are more snapshots than a tapestry of the whole man.

118.   Because the images are so powerful, games will always seem strange to us when we return to them.

119.   Because these images are not structural decisions.

120.   Because of the ruling, they say, defense attorneys already are asking judges to instruct jurors that prosecutors must prove the images are of real children.