111.   The film makes room for Joe Galloway, the journalist who was there and eventually wrote the book with Moore.

112.   The film makes the most of its photogenic settings in British Columbia and New Orleans.

113.   The film will make a star of Brendan Gleeson, and should.

114.   The film also makes a solid showcase for the talents of Val Kilmer.

115.   The film makes a fairly complicated Hollywood business history both clear and, at a human level, compelling.

116.   The film makes it clear that Ms. Turlington is used to being stared at by everyone around her.

117.   The film makes much better use of the grown children, who direct the audience into the movie.

118.   The film makes no attempt to portray the murders of Nicole Brown Simpson and Ronald L. Goldman.

119.   The film makes precious little distinction between Arabs and Muslims and perpetuates the stereotypes that link Islam and terrorism.

120.   The film makes Prefontaine so interesting we wish it told what made him the way he was, besides just hinting at childhood persecution for being small and German.