101.   The two plays have nothing in common except an autumnal garden.

102.   The witch-hunt idea was not new, but the play had a resonance few could miss.

103.   They come and go and reappear, though the play has no conventional narrative.

104.   Three years later the play had a two-week engagement at the Westport Playhouse in Connecticut, but that production did not make it to New York either.

105.   Unfortunately, the play has a message to impart, and not a trace of the desired subtlety to deliver it.

106.   We started thinking every play had to be a big gainer.

107.   When key plays had to be made in the fourth quarter, the offensive coaches, quarterback Drew Bledsoe, and the rest of the unit failed.

108.   While overly didactic, both plays have a hypnotic tautness.

109.   Who says line play has no panache?

110.   While the play has Portia outwitting Shylock in court, Ms. Flanders never manages to challenge LeBow for primacy onstage.