101.   Most document live performances, though a few are taken from studio recordings.

102.   Nor is it fair to expect in live performance the note-perfection of his recordings.

103.   Not as paradoxically as it might seem, the live performances generally sound more relaxed.

104.   Not every comedian, however, sees live performance as a stepping stone to television, and television as a stepping stone to film.

105.   Nothing but the publicity that generated an audience for his live performances.

106.   Occasionally, an impersonator will drop in for a live performance.

107.   One of the most perplexing elements is the live performance that is essential to many of the pieces.

108.   One climber compared it to the difference between a rehearsal and a live performance.

109.   Other works are less successful, in part because such music often depends on live performance to be understood.

110.   Over the years, too, the techniques of recording in the studio began to take on a life of their own and to influence live performance.