91.   Brilliantly observed and edited, the film has no narrator but tells an opinionated story nonetheless.

92.   Both films have the gross-out humor the Farrellys are known for, but with a decided edge.

93.   But an R rating and a Quentin Tarantino script are about all these films have in common.

94.   But Baumbach is a highly effective stylist and his film always has an edge.

95.   But even after the documentary affectation gives way to a more conventional narrative, the film has trouble ringing true.

96.   But for all its impassioned noise, the film ultimately has disappointingly little to say.

97.   But for some reason, Elsheimer says, the films have a way of sticking with you.

98.   But her beguiling film has a persuasive been-there, done-that knowingness.

99.   But every now and then, the Academy will veer wildly from the norm, instead honoring some well-admired auteur whose film has zilch chance of winning best picture.

100.   But fiction films will have to be marketed differently.