41.   What matters most to him is that his readers see where things now stand.

42.   What the reader sees is what she thinks is the right intensity.

43.   Readers may see the signature in the cartoon but remember and cite only the publication.

44.   But readers see none of his later color work.

45.   But readers could see him misbehaving in the background, doing headstands or crossing his eyes.

46.   Readers may see some resemblance between her poems and those published in Youth-Quake, which appears in the NST on Saturdays.

47.   Some newspaper readers saw shadows of dinosaurs flying over their stock tables and TV listings this week.

48.   Through him, enhanced by his infectious sense of humor, the reader sees, feels, is amused and becomes stunned, scared, angry or annoyed.