31. The camera pans across the Kitchen Stadium, a studio with red-draped backdrops and torch-lit runways. 32. The camera pans and scans each Adams work, focusing on a detail down here, drifting up to another up there. 33. The camera pans down the row of Central Committee patriarchs, all of them elderly and several of them dozing deeply. 34. The camera pans to the goat with a television remote control in its mouth. 35. The camera then panned away, over empty tarmac, to two bemused Haitians watching from the sidelines. 36. The camera discreetly pans heavenward, borne on the swelling of a thousand loud violins. 37. The camera panned to an emotional Roger Clinton. 38. The camera pans to his Oscars, sitting on a shelf. 39. The camera pans to Strawberry, who seems amused but not as impressed as the younger guys. 40. The camera then pans upward to show that many residents of the housing project are also taking pleasure in the sight of young love. |