111.   Still, it is often done with the understanding it will never, ever be seen by audiences back home.

112.   The audience immediately sees the damage that has been done.

113.   The audience never sees beyond the closed door of their hotel room, and the precise nature of the fantasy remains a mystery.

114.   The audience saw some of this when winning entries were shown.

115.   The audience sees only the movement of the thin puppets from the shadows cast by a bright light on the screen.

116.   The audience sees this, but no one on stage does.

117.   The audience also saw the world premiere of Homeland, a Mongolian dance portraying the affection and connection between people and Earth.

118.   This time, Dole and his convention handlers are seeing to it that the prime time audience sees something much gentler and more positive.

119.   Through imaginatively constructed masks and costumes, the audience sees the performers playing the animals that populate this redemptive tale of love, loss and courage.

120.   TV audience can vividly see how athletes look and even how they breathe at the moment of their start at the ski jump.