101.   The artists had to document the sources of their wood.

102.   The artists have their plate, and the teachers have theirs.

103.   The artists have to take some of the blame.

104.   The artist has to be able to identify with both Anglo and Latin cultures.

105.   The artist has to put his caller on hold because people are clapping to the accelerating pace of the drums.

106.   The back staircase has been retained, where black artists had to enter in those early years.

107.   The artist has a spirited and complex relationship with his former wife.

108.   The idea is for executives, managers and agents to stop looking away when an artist clearly has a drug problem.

109.   The record industry counters that if copyrights are not protected on the Internet, artists will have no incentive to create new work.

110.   The sad part, though, was that there was no live band, so the artists had to sing to recorded backing tracks.